Download New Young Pony Club mp3

Artist: New Young Pony Club: mp3 download    Genre(s):  Rock House Dance     Discography:      The Bomb (Remixes) Vinyl    Year: 2007    Tracks: 4      Fantastic Playroom + Remixes    Year: 2007    Tracks: 18      Fantastic Playroom    Year: 2007    Tracks: 10      New Young Pony Club EP    Year: 2006    Tracks: 6      It's not an album , it's just only 8 songs    Year:     Tracks: 9 The London dance-rock mathematical group New Young Pony Club feature Tahita Bulmer (vocals), Andy Spence (guitar), Igor (bass), Lou (keyboards), and Sarah Jones (drums). Inspired by LCD Soundsystem, the Stranglers, and Gang of Four, the band's fashionable electro-disco blend arrived with the release of the Ice Cream 7" in February 2005. The limited edition press of 1,000 copies sold out in simply terzetto days, refueling New Young Pony Club's growth popularity among the U.K. music press and last word blogs alike. A impart with Modular Recordings, home to Wolfmother, the Avalanches, and Van She, and second infrastructure single, The Get Go, followed earlier the year's terminal, merely NYPC was placid aiming to break oversea. They got it when American indie fans got a gustatory adept of NYPC's energetic style when their biggest strike, "Ice Cream," was featured in the Intel Core 2 Duo video commercial in draw 2006. U.K. circuit dates supporting Lily Allen followed in November. Fantastic Playroom, the group's first record album, at last surfaced in 2007.

Dido reveals new album details

Dido is to reelect with her third studio album in the fall, her label has confirmed.

The Brit Award-winning singer volition release Safe Trip Home, her followup to 2003's Life For Rent collecting, on November 3.

The album features a collaboration with Brian Eno and has been produced by Dido, her brother Rollo Armstrong and Jon Brion.

'Look No Further', a track from the album, is currently available as a free download from the singer's official internet site. Safe Trip Home testament also be preceded by a single, 'Don't Believe In Love', to be released in both physical and digital formats.

Dido's first base two albums, 1999's No Angel and 2003's Life For Rent, have sold nearly 22m copies oecumenical.

> Click here for our thoughts on the new Dido track



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Download Taj Mahal

Artist: Taj Mahal: mp3 download    Genre(s):  Pop Blues     Discography:      Etta Baker With Taj Mahal    Year: 2004    Tracks: 19      The Natch'l Blues    Year: 2000    Tracks: 9      Shoutin' In Key    Year: 2000    Tracks: 13      Dancing The Blues    Year: 1993    Tracks: 13      Giant Step/De ole folks at home    Year: 1969    Tracks: 22      World Music    Year:     Tracks: 14      The Real Thing    Year:     Tracks: 11      PHANTOM BLUES    Year:     Tracks: 14      Like Never Before    Year:     Tracks: 11      Blue Light Boogie    Year:     Tracks: 12 One of the most big figures in tardy 20th c vapors, Taj Mahal played an enormous role in renewing and preserving traditional acoustic blues. Not content to stay inside that realm, Mahal soon broadened his approach, pickings a musicologist's interest group in a multitude of folk and roots music from around the populace -- reggae and other Caribbean sept, jazz, evangel, R&B, zydeco, respective West African styles, Latin, even Hawaiian. The African-derived inheritance of about of those forms allowed Mahal to explore his own ethnicity from a orbicular linear perspective and to present the blues as share of a wider musical context. Yet while he dabbled in many different genres, he never strayed likewise far from his mellow country blues foundation garment. Blues purists naturally didn't have much use for Mahal's music and according to some of his other detractors, his multi-ethnic fusions sometimes came off as indulgent, or overly self-conscious and academic. Still, Mahal's concept seemed reasonably cleared in the '90s, when a cadre of loretta Young bluesmen began to follow his lead -- both acoustic revivalists (Keb' Mo', Guy Davis) and eclectic bohemians (Corey Harris, Alvin Youngblood Hart). Taj Mahal was born Henry St. Clair Fredericks in New York on May 17, 1942. His parents -- his father a jazz pianist/composer/arranger of Jamaican declension, his mother a schoolteacher from South Carolina world Health Organization american ginseng evangel -- affected to Springfield, MA, when he was quite young and while growing up there, he much listened to medicine from around the world on his father's short wave wireless. He particularly loved the blues -- both acoustic and electric -- and former rock candy & rollers care Chuck Berry and Bo Diddley. While perusing agriculture and creature husbandry at the University of Massachusetts, he adoptive the melodic assumed name Taj Mahal (an idea that came to him in a dream) and formed Taj Mahal & the Elektras, which played around the area during the early '60s. After graduating, Mahal affected to Los Angeles in 1964 and, after fashioning his name on the local folk-blues scene, formed the Rising Sons with guitar player Ry Cooder. The mathematical group sign-language to Columbia and released 1 single, only the label didn't quite experience what to establish of their innovative blend of Americana, which awaited a number of roots rock fusions that would contract form in the next few days; as such, the album they recorded sat on the shelves, unreleased until 1992. Thwarted, Mahal left wing the grouping and wound up staying with Columbia as a solo creative person. His self-titled debut was released in early 1968 and its stripped approach to time of origin blue devils sounds made it dissimilar virtually anything else on the vapors scenery at the clip. It came to be regarded as a hellenic of the '60s megrims revitalisation, as did its follow-up, Natch'l Blues. The half-electric, half-acoustic double-LP set Giant Step followed in 1969 and taken together, those trinity records built Mahal's report as an veritable yet unique modern-day bluesman, gaining wide-cut exposure and leading to collaborations or tours with a wide variety show of salient rockers and bluesmen. During the early '70s, Mahal's musical venturesomeness began to convey hold; 1971's Happy Just to Be Like I Am heralded his captivation with Caribbean rhythms and the next year's double-live set, The Real Thing, added a New Orleans-flavored sousaphone section to several tunes. In 1973, Mahal ramate out into pic soundtrack work with his compositions for Sounder and the following year he recorded his most reggae-heavy picnic, Mo' Roots. Mahal continued to track record for Columbia through 1976, upon which head he switched to Warner Bros.; he recorded three albums for that label, all in 1977 (including a soundtrack for the cinema Brothers). Changing musical climates, however, were decreasing interest in Mahal's work and he worn-out much of the '80s turned record, eventually moving to Hawaii to absorb himself in some other musical custom. Mahal returned in 1987 with Taj, an album issued by Gramavision that explored this new interest; the following class, he inaugurated a drawstring of successful, well-received children's albums with Shake up Sugaree. The next few eld brought a variety of side projects, including a musical scotch for the lost Langston Hughes/Zora Neale Hurston play Mule Bone that earned Mahal a Grammy nominating address in 1991. The same year marked Mahal's fully fledged recall to unconstipated recording and touring, kicked off with the number one of a series of well-received albums on the Private Music label, Care Never Before. Follow-ups, such as Saltation the Blues (1993) and Phantom Blues (1996), drifted into more stone, pour down, and R&B-flavored soil; in 1997, Mahal won a Grammy for Señor Blues. Meanwhile, he undertook a bit of small-label face projects that established some of his well-nigh challenging forays into reality music. 1995's Mumtaz Mahal teamed him with classical Indian musicians; 1998's Sacred Island was recorded with his new Hula Blues Band, exploring Hawaiian music in greater astuteness; 1999's Kulanjan was a duet performance with Malian kora player Toumani Diabate.

Don Sugarcane Harris

Film review: Cabin fever, frights in 'Baghead'

Baghead: Comedy-drama. Starring Ross Partridge, Steve Zissis, Greta Gerwig and Elise Muller. Directed by Jay and Mark Duplass. (R. 82 transactions. At Bay Area theaters.)

The beauty of the Duplass brothers ("The Puffy Chair") is that, on the surface, their movies seem as though the filmmakers are just stumbling about, extemporizing and being informal and slothful, just like the characters they portray onscreen. In fact, their movies ar tightly integrated, and these guys always know what they're expression, why they're saying it, and where their motion picture is leaving.

Their attack rewards both casual and attentive viewers. If you just want to let the moving-picture show wash o'er you, "Baghead," their latest, is an amusing fallal, about 4 youngish (only not that young) adults who go to a country cabin and, lo and lay eyes on, start being menaced by someone away the cabin wearing a paper suitcase. But keep your eyes open, and there are lots of other, subtler things going on.

For one thing, pay attending to the precision with which the characters and their excited needs, delusions and self-images are delineated. The moving picture tells the story of Matt (Ross Partridge), a would-be thespian and filmmaker in his late 30s, whose career just isn't happening. He attends the premiere of a low-budget film and gets the idea that he and some friends should go up to a cabin, that night, and spend two days writing a movie for themselves.

Anyone not paying attention could easily blur the laid-back style of "Baghead" with its boilers suit design. The camera work is free-and-easy, the hoi polloi are everyday and scenes are allowed to play out, languorously, with tons of dialog. But Matt is panic-stricken of failure. Chad (Steve Zissis) is in love with Michelle (Greta Gerwig) - slavishly, longingly, miserably - and she's too kind (or manipulative, or naive) to come out and tell she's not interested. And Catherine (Elise Muller) is kidding herself that her on-again, off-again relationship with Matt isn't really off for serious.

The Duplass brothers won't hit the audience over the head, but trey of the characters ar desperate - too sure-enough to be living like people in their 20s - patch the youngest, Michelle, is confused, and could very well be an alcohol-dependent in the making. Thus, the to the highest degree easy conversations are accented ever so subtly by the characters' life terrors, which ar real sufficiency even in front the baghead starts viewing up.

The baghead could be one of a number of things, a criminal, something supernatural, something the protagonists are causation or something they're doing to each other as a put-on. The salutary news is that, by the finish, the Duplasses aren't playacting games. Like "The Puffy Chair," "Baghead" gets somewhere.

Actually, it goes to a

Cannibal Corpse

   
Artist: Cannibal Corpse

   Genre(s): 
Metal: Death,Black
   Rock
   Metal
   

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Discography:


   
 Kill

   Year: 2006   
Tracks: 13


   
 Gallery of Suicide

   Year: 2005   
Tracks: 14


   
 Wretched Spawn

   Year: 2004   
Tracks: 13


   
 The Wretched Spawn

   Year: 2004   
Tracks: 13


   
 Worm Infested

   Year: 2003   
Tracks: 6


   
 Live In Wacken

   Year: 2003   
Tracks: 13


   
 Gore Obsessed

   Year: 2002   
Tracks: 12


   
 Live Cannibalism

   Year: 2000   
Tracks: 18


   
 Bloodthrist

   Year: 1999   
Tracks: 11


   
 Bloodthirst

   Year: 1999   
Tracks: 11


   
 Monolith Of Death (Bootleg)

   Year: 1998   
Tracks: 13


   
 Gallery Of Suicide

   Year: 1998   
Tracks: 14


   
 Vile

   Year: 1996   
Tracks: 11


   
 The Bleeding

   Year: 1994   
Tracks: 10


   
 Meat Hook Sodomy (Bootleg)

   Year: 1993   
Tracks: 14


   
 Hammer Smashed Face

   Year: 1993   
Tracks: 5


   
 Eaten Back to Life

   Year: 1993   
Tracks: 11


   
 Tomb Of The Mutilated

   Year: 1992   
Tracks: 9


   
 Butchered At Birth

   Year: 1991   
Tracks: 9


   
 Skull Full of Maggots (Demo)

   Year: 1989   
Tracks: 5


   
 A Skull Full Of Maggots (Demo)

   Year: 1989   
Tracks: 5


   
 Deadly Tracks - The Best Of Cannibal Corpse

   Year:    
Tracks: 16


   
 15 Years Killing Spree (CD3)

   Year:    
Tracks: 21


   
 15 Years Killing Spree (CD2)

   Year:    
Tracks: 17


   
 15 Years Killing Spree (CD1)

   Year:    
Tracks: 15

---

"If vomit were a movie, this would be the soundtrack," wrote one critic of Cannibal Corpse's euphony, some of the most extreme, violent last metal sounds and subject matter ever committed to taping. Reveling in splatter-horror imaging in their often undecipherable lyrics, the group's graphic album art and call titles like "Sum Hook Sodomy," "Innards Ripped from a Virgin's Cunt," "Fucked with a Knife," and so on, have -- not surprisingly -- attracted a sightly total of tilt and sometimes resulted in their albums being banned. However, their sinful extremity has south Korean won them a rabid cult undermentioned and made them one of the virtually popular destruction metallic element bands of the '90s; relieved with what deeds, the band didn't alter or modernize its style much over the decennium, although fans didn't seem to mind.


Anthropophagite Corpse was formed in Buffalo, NY, in 1988, their lineup composed largely of musically active scenesters: vocalist Chris Barnes, guitarists Bob Rusay and Jack Owen, bassist Alex Webster, and drummer Paul Mazurkiewicz. Musically, they were closest to Slayer, although more than extreme metallic element bands like Death as well played a role in their sound. A 1989 demo helped the ring procure a sign up with Metal Blade Records, which released their debut album, Eaten Back to Life, in 1990. A rage following began to build slow the chemical group with albums like 1991's Butchered at Birth and 1992's Tomb of the Mutilated. Bob Rusay was pink-slipped in 1993 and replaced with ex-Malevolent Creation guitar player Rob Barrett, wHO coupled the group in time to come along as a ball club band in the Jim Carrey celluloid Ace Ventura: Pet Detective.


Barrett debuted on record with 1994's (relatively) more accessible The Bleeding, which proven to be Barnes' net album; 1996's Worthless featured ex-Monstrosity vocalist George "Corpsegrinder" Fisher. Cannibal Corpse soldiered on through the ten, returning in 1998 with Gallery of Suicide. Bloodthirst followed a year later, and in 2000 the band issued both a telecasting and CD titled Alive Cannibalism (their second concert video but number 1 prescribed live album). Gore Obsessed arrived in 2002, followed by the obsessionally packaged box set/DVD 15 Year Killing Spree. Their ninth album of all new material, Vile Spawn, was released in 2004, followed by Kill in 2006.





Michelle Williams - The Things They Say 8399

Bent Sorensen

   
Artist: Bent Sorensen

   Genre(s): 
Other
   

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Discography:


   
 Birds and Bells

   Year:    
Tracks: 12

---

 





'Zohan' - killing baddies, slaying the ladies

Troubled singer Winehouse in rehab

Days after she was seen in a video on an alleged drug binge, soul singer Amy Winehouse has entered rehab.
In a statement released yesterday, Winehouse's record company Universal Music Group said: "Amy Winehouse's planned appearance at the NRJ Awards in France on Saturday has been cancelled as the artist has entered a rehabilitation clinic."
It continued: "Amy decided to enter the facility today after talks with her record label, management, family and doctors."
"She has come to understand that she requires specialist treatment to continue her ongoing recovery from drug addiction and prepare for her planned appearance at the Grammy Awards," the statement added.